It is a physical modeling synth with two oscillators providing a combination of 6 types of modeling. This plugin does allow for polyphony unlike the original Prophecy allowing usage similar to the MOSS, Z1 and maybe the OASYS. But keep in mind that the emulations are of devices +25 or more years. So three VST of classic devices is not all that bad at $33 a piece albeit the Triton extreme is not a radical departure from the basic Triton. I was a Korg 2 Bundle owner so upgrading was only $99 USD. I've got the demo and will be giving it a go, but I wouldn't get it or upgrade to Collection 3 unless Prophecy puts out You don`t expect it to be stuck in solo! What's the point in having a good string sound if you can't play chords with it.While there are lots of interesting Prophecy patches, I want to know what users are doing with it. He says that if you buy a £900 pounds keyboard then you would expect to turn it on and play chords on it and possibly switch it to solo mode. "It`s Absolute Crap" He says this because it has only three good sounds on it and it is too expensive (even though he got it free). " (Sound On Sound septemper 1996)Īnd like usual he has changed his mind in another interview some years after. It's a shame it's only monophonic - it's got some good string sounds.
It's not the type of keyboard I'd go to to start a song with - it's better for distortion and feedback sounds. There are so many different things you can do with it. You can also record filter changes over MIDI onto the Mac.
The programming is so open, it's great for resonant sweeps, and the ribbon is quite handy. It's at its best on stage, though I've used it on just about every track on the new album so far. "The Prophecy is one of the few things that produces big distortion as far as a ready-to-run synth goes. I can't say which one of the interviews is made first, but maybe he is just in bad mood when the second interview is made. anyway it's really hard to know what Liam really thinks about it but it is well known that this synth was heavily used when the Fat of the Land album was made. Many people thought that Liam loves this keyboard (including me), But if you check these two different comments below. Actually this synth was travelling with Liam many many years. About:īetween 96-98 Korg Prophecy was the synth responsible for many of the crazy live noises you could have heard during the live show. Liam also reportedly used a Korg Prophecy for distorted TB-303ish main acid synth lead in Smack My Bitch Up. This baby was used mostly in live shows between 1995-2005 before Liam totally broke it! We can also hear a preset (Space Adventure) in Firestarter.
0 kommentar(er)
